Whose is the calm, invisible hand that points,
Directs and controls the machine that frames us and detect-
s how I totter on stumpy pins with pudgy joints,
Some sudden instinct of losses to come reflect-
ed in my boxy, chubby face? Who is behind
The engendering camera, secretly cradling my im-
age, as a man with a fine mane of hair kind-
ly assuages the cub’s fear that is obvious to him,
His form and stamp, mirroring mine, wedge-
d squarely against the rocks? Years later,
Despite quotidian negligence, the photo is still leg-
ible, and the simple truth embodied in its gaze yet greater.
For always, watching and waiting lovingly, there is another,
Selfless presence, a third eye: my mother.
Directs and controls the machine that frames us and detect-
s how I totter on stumpy pins with pudgy joints,
Some sudden instinct of losses to come reflect-
ed in my boxy, chubby face? Who is behind
The engendering camera, secretly cradling my im-
age, as a man with a fine mane of hair kind-
ly assuages the cub’s fear that is obvious to him,
His form and stamp, mirroring mine, wedge-
d squarely against the rocks? Years later,
Despite quotidian negligence, the photo is still leg-
ible, and the simple truth embodied in its gaze yet greater.
For always, watching and waiting lovingly, there is another,
Selfless presence, a third eye: my mother.
(17.4.1999)